Today in News History

On July 12, several notable moments in the history of News stand out. In 1880, Tod Browning, American actor, director, and screenwriter (died 1962) was born. In 1884, Louis B. Mayer, Russian-born American film producer, co-founded Metro-Goldwyn-Mayer (died 1957) was born. In 1895, Oscar Hammerstein II, American director, producer, and songwriter (died 1960) was born. In 1928, Imero Fiorentino, American lighting designer (died 2013) was born. In 1932, Monte Hellman, American director and producer (died 2021) was born. In 1933, Donald E. Westlake, American author and screenwriter (died 2008) was born. In 1936, Jan Němec, Czech director and screenwriter (died 2016) was born. In 1944, Delia Ephron, American author, playwright, and screenwriter was born. In 1948, Ben Burtt, American director, screenwriter, and sound designer was born. In 1981, Pradeepan Raveendran, Sri Lankan director, producer, and screenwriter was born. Together, these milestones provide historical context for today's news news and ongoing narratives.

Cinema’s Wildest Franchise Bids an Epically Insane Farewell

The Daily Beast

The Daily Beast

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June 25, 2026

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Cinema’s Wildest Franchise Bids an Epically Insane Farewell

Photo Illustration by Thomas Levinson/The Daily Beast/Paramount PicturesFor 26 years, Jackass has been the ultimate avant-garde prankster inanity, serving up gonzo performance-art madness with the glee of a reckless teenager high on whippets. It’s the king of the juvenile hill, and it goes out with a sledgehammer to the crotch with Jackass: Best and Last (June 26, in theaters), a commemorative big-screen farewell that blends new and old material. Not the series’ high point but nonetheless a deliriously puerile swan song for Johnny Knoxville and his merry band of mischief-makers, it proves that nothing is eternal except the hilarity of seeing others hurt themselves for our amusement.Read more at The Daily Beast.

Narrative Intelligence Brief

This article was published by The Daily Beast, a source frequently categorized with a left bias based in United States of America. Our narrative intelligence engine continuously monitors coverage from this outlet to track framing, bias, and rhetorical patterns. Our initial algorithmic scan of this specific piece did not flag high-confidence rhetorical techniques, suggesting a generally straightforward reporting style or neutral framing. By understanding the editorial perspective of The Daily Beast, readers can better contextualize the information presented and compare it across our broader media matrix to find the real narrative.

Analysis Methodology
This narrative analysis was generated using the CoDataLab Global Intelligence Engine. Our proprietary AI scans thousands of cross-border sources to identify sentiment patterns, framing techniques, and potential media bias. While AI provides the data-driven foundation, our objective is to empower readers with additional context beyond the standard headline.The content displayed above is a structured summary designed for rapid information processing. For the full original report, please visit the source outlet.

How other outlets are covering this story

Compare narratives across 6 related reports from 6 sources. Real Narrative News aggregates the coverage spectrum so you can see who emphasises what — bias tags reflect the outlet, not the story.

Coverage bias distribution

6 sources

Left 0%

Center 17%

Right 50%


Reuters

center

· Jul 10, 2026

Spider-Man vs Minions — who can save Hollywood?

The summer box office battle is heating up. But behind Hollywood’s biggest franchises is a bigger question about the future of cinema. Who can revive moviegoing? Peter Devlin takes a look. #spiderman #hollywood #minions #cinema #movies

SB Nation

· Jun 23, 2026

Coping with the blockbuster trade that never was

Dealing with the aftermath of coming up short in the blockbuster of the summer

ComicBook.com

Unknown

· Jul 1, 2026

5 Things From Needs to Do In Its Final Season to End the Show Right

MGM+ From has become a breakout hit series, right as it is headed down the final stretch. The horror-drama-mystery series has kept the fandom guessing with its story of seeming strangers all stranded in a nightmarish town, where monsters are very real. Unraveling the mystery of how they got there, or what the strange supernatural realm []

The Economic Times

lean right

· Jul 6, 2026

Horror films takeover mid-budget theatrical space

Horror films takeover mid-budget theatrical space

NDTV

lean right

· Jun 29, 2026

Curry Barker's Obsession Nears Rs 100-Crore Mark In India

Obsession is around Rs 4 crore away from overtaking 'The Conjuring: Last Rites' (Rs 101.65 crore gross) to become the highest-grossing Hollywood horror film in India.

DNyuz

lean right

· Jul 1, 2026

Zach Cregger, Brian Duffield to Adapt Internet Horror ‘Siren Head’ Feature for Warner Bros.

Hollywood has found its next “Backrooms.” Warner Bros. Pictures has won a bidding war for a cinematic adaptation of the viral internet horror phenomenon “Siren Head.” “Weapons” and “Resident Evil” filmmaker Zach Cregger is attached to the package as a screenwriter, penning the script alongside “Whalefall” and “No One Will Save You’s” Brian Duffield, who []

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Politics · 2
Entertainment · 1
Business · 1
World · 1

Related coverage for "Cinema’s Wildest Franchise Bids an Epically Insane Farewell": Reuters — Spider-Man vs Minions — who can save Hollywood?. SB Nation — Coping with the blockbuster trade that never was. ComicBook.com — 5 Things From Needs to Do In Its Final Season to End the Show Right. The Economic Times — Horror films takeover mid-budget theatrical space . NDTV — Curry Barker's Obsession Nears Rs 100-Crore Mark In India. DNyuz — Zach Cregger, Brian Duffield to Adapt Internet Horror ‘Siren Head’ Feature for Warner Bros.