Today in News History
On June 26, several notable moments in the history of News stand out. In 1909, Wolfgang Reitherman, German-American animator, director, and producer (died 1985) was born. In 1909, Colonel Tom Parker, Dutch-American talent manager (died 1997) was born. In 1919, Donald M. Ashton, English art director (died 2004) was born. In 1929, Fred Bruemmer, Latvian-Canadian photographer and author (died 2013) was born. In 1957, Al Hunter Ashton, English actor and screenwriter (died 2007) was born. In 1959, Mark McKinney, Canadian actor and screenwriter was born. In 1970, Paul Thomas Anderson, American director, producer, and screenwriter was born. In 2012, Mario O'Hara, Filipino director, producer, and screenwriter (born 1944) passed away. In 2012, Nora Ephron, American director, producer, and screenwriter (born 1941) passed away. In 2015, Chris Thompson, American screenwriter and producer (born 1952) passed away. Together, these milestones provide historical context for today's news news and ongoing narratives.
‘Ratatouille’ Sequel Shot Down by Director Brad Bird Despite Pixar Interest; He Said to the Studio: ‘We Told That Story’
Hopes for a “Ratatouille” sequel are being shot down by director Brad Bird, who said in an interview with Collider that he has no interest in continuing the story of the rodent chef Remy. Pixar often franchises its beloved movies, from “Finding Nemo” to “The Incredibles” and “Toy Story” (the fifth installment just opened in []
Narrative Intelligence Brief
This article was published by Variety, a source frequently categorized with a lean left bias based in United States of America. Our narrative intelligence engine continuously monitors coverage from this outlet to track framing, bias, and rhetorical patterns. Our initial algorithmic scan of this specific piece did not flag high-confidence rhetorical techniques, suggesting a generally straightforward reporting style or neutral framing. By understanding the editorial perspective of Variety, readers can better contextualize the information presented and compare it across our broader media matrix to find the real narrative.
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Analysis Methodology
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