‘Yes’ Is a Scathing Portrait of Israeli Depravity. Why Are European Leftists Boycotting It?
In 2021, the Israeli film director Nadav Lapid moved to France because, he told me, he felt his country was in a state of “total moral collapse.” After Oct. 7, as Israel ground much of Gaza into dust, Lapid returned to Israel to make “Yes,” an impossibly scathing, bitterly surreal attempt to capture that collapse []
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